The photographs are all sizes. Some are obviously older photographs. Not one photograph is labeled! Who are the individuals in the photographs? Are the individuals family members? Most likely, but if not, the photograph was obviously treasured to have been kept throughout the years.
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Printed mount notations such as photographer’s identification and title are fairly reliable, but can still provide false information. Dating by mount type and style provides a rough indicator for identifying images. The caveat is that many photographers, particularly in more remote areas, failed to keep up to photographic fashion and used old mounts until their stocks were exhausted. Also, photographers reprinted historically or commercially important images long after they were originally taken.
Also negatives were often sold or copied and the mount information may not accurately reflect the history of the images.
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Photographs, cartes de visite (5), portraits of Laura Stubbs, Australia, 1861-1869
Dating Winter’s Carte de Visite Photo Albums We’ve had a lovely treat this week looking through a nineteenth century photo album owned by one of our volunteers. These beautiful bound albums were designed to hold carte de visite and the larger sized cabinet cards. This one may have been owned by the Derbyshire branch of a family as it contains original Winter photographs as well as images from studios in Nottingham, London and Sheffield. The carte de visite are particularly interesting from a research point of view as they contain information on the back The top carte de visite is most likely the oldest as it mentions medals won by Winter in and , whereas the lower two include medals from
DATING CARD MOUNTED PHOTOGRAPHS © [email protected] – HOME – Comments Card mounted photographs from the 19th and early 20th century, such as cartes-de-visites, cabinet cards and stereographs can be generally dated by their format and mount type.
MS Finding aid Kingsbury children, ca. The Goulds added a third son to their family in A rich collection of letters and photographs recording the history of the Kingsbury-Gould families of Shelburne, Massachusetts. In addition to documenting the complicated dynamics of a close-knit family, this collection is a rich source for the study of local history, rural New England, and the social and cultural practices at the end of the 19th and beginning of the 20th centuries. During their relatively brief marriage, the couple had two boys, Arnold O.
Kingsbury and Oscar B. Kingsbury , both born in Jamaica, Vermont. Ambrose survived the Civil War with the 5th Vermont Infantry, but shortly after his return home, he succumbed to dysentery. Three years later, in , Roxana married Lyman G. Gould and moved her children to his home in Cooleyville, Massachusetts now New Salem , where she had another son, David Oris Gould After ten years, the family moved to a farm in Shelburne. As a result, the farm was settled on Oscar, the middle son, who took up the work in late
Faut-il laisser une carte de visite lors du premier rendez-vous ?
Harriet Ann Rugeley, about s [one black-and-white photograph] 2. Susie Mathis Rugeley, Mary Rugeley Ferguson, and unidentified children, mounted snapshots, about s [three black-and-white photographs] 3. Rowland Rugeley, Henry Rugeley, and unidentified men, about s [one black-and-white photograph] 5. Henry LeTulle Rugeley, about s [one black-and-white photograph] 7.
Rowland Rugeley with fraternity brothers at University of Texas at Austin, studio portrait, about [one black-and-white photograph] 8.
Carte de visite Characteristics There are several carte de visite features which make dating the majority of them relatively easy – within a few years. The most accurate and fortunately the easiest features to identify are listed here in order of most importance.
A carte de visite can usually be dated to within two years through an understanding of it’s features. Gallery operators replenished their supply of card stock about every six months and card manufacturers encouraged this demand by brining out a new line of decorative cards each year. Because of this constant change, a card mount offers the best clue to when a carte de visite image was made.
Note that dating the mount does not necessarily date the image. The photographer may have been using up old card stock. Many photographers advertised their copying services. This carte de visite is typical of the s illustrating the double gilt rules and square corners characteristic of the period. The card is plain, lightweight Bristol board. The “sepia” look of the image comes from a natural yellowing of the original yellowish-brown image tone, which is imparted through “gold-toning” and by the albumen paper.
Cabinet Card Photographs
They subsequently removed to Denver, Colorado, about where both practiced medicine. One child, a daughter Francis, was born to the couple. Francis received an M.
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Related to Other Longfellow Family Members and Sites Family members owned most of the photographs made before , which resided in the House until the National Park Service assumed control in The Longfellow House Trust and H. Dana also acquired materials including photographs, particularly copy photographs of portraits. The albums are arranged roughly in chronological order as most dates are approximated.
Because of the greater problem of dating the photographs not in albums, those within a sub-series may not be not arranged chronologically. While the Longfellow Family Photograph Collection comprises the largest single collection of photographs in the archives, there are many family images within other collections, notably the Henry W. Dana is believed to have removed photographs from albums and placed them in his research files, now in the H.
Consult their finding aids for additional photograph listings. A full finding aid to the collection and item-level descriptions of photographs are available on request. Contact the park archivist by email or call Henry Wadsworth Longfellow, c. The standard daguerreotype, ambrotype, and carte-de-visite and cabinet card images taken in photography studios are similar to others from the nineteenth century. The younger members of the family, like many others, recorded their excursions and comradeship in the comparatively cheap medium of tintype in the s through s.
Annuaire des membres
Carte de visite is the singular. Cartes de visite is the plural. Also popularly referred to as CDV and carte. Popular s s Cartes de visite, often nicknamed cartes and CDVs, is French for visiting card, as this was a popular early use of these small picture cards. A woman might hand out or mail a carte with her picture on it to friends and relatives. In the United States cartes became popular at the beginning of the Civil War.
Dating carte de visite cafte you find parades of hairstyles and us datign different liberated periods. You can find smiles of photographs in a pronouncement of recommendations since: Use hairstyles and dating carte de visite to identify recommendations in old fireworks. Off side of wear is it.
Today we turn to the distinguishing features of the carte de visite—a 19th-century collecting craze. Most professional portrait photographers of the s took either daguerreotypes or collodion positives. With both processes, each picture was unique and multiple copies could only be made with difficulty, if at all. This required the use of a special camera and many different types were developed.
Some had several lenses, which could be uncovered either individually, or all at the same time to give 4 or 8 photographs on the same plate. Others had a mechanism for moving the photographic plate so that each image was recorded on a different area. The carte de visite collecting craze Cartes de visite was introduced to England in In May , J.
Mayall took carte portraits of Queen Victoria, Prince Albert and their children.